Una llave simple para Remix Unveiled

There are two obvious extremes with regard to derivative works. If the song is substantively dissimilar in form (for example, it might only borrow a motif which is modified, and be completely different in all other respects), then it may not necessarily be a derivative work (depending on how heavily modified the melody and chord progressions were).

The Creative Commons is a non-profit organization that allows the sharing and use of creativity and knowledge through free legal tools and explicitly aims for enabling a Remix culture.[25] They created a website that allows artists to share their work with other users, giving them the ability to share, use, or build upon their work, under the Creative Commons license.

Some artists have started releasing their songs in the U-MYX format, which allows buyers to mix songs and share them on the U-MYX website.

A remix in literature is an alternative version of a text. William Burroughs used the cut-up technique developed by Brion Gysin to remix language in the 1960s.

The remix is also widely used in hip hop and rap music. An R&B remix usually has the same music Campeón the flamante song but has added or altered verses that are rapped or sung by the featured artists. It usually contains some if not all of the llamativo verses of the song however they may be arranged in a different order than they originally were.

Another well-known example is R. Kelly, who recorded two different versions of "Ignition" for his 2003 album Chocolate Factory. The song is unique in that it segues from the end of the llamativo to the beginning of the remixed version (accompanied by the line "Now usually I don't do this, but uh, go ahead on, break em' off with a little preview of the remix."). In addition, the flamante version's beginning line "You remind me of something/I just can't think of what it is" is actually sampled from an older Kelly song, "You Remind Me of Something".

Some artists (such Vencedor Björk, Nine Inch Nails, and Public Enemy) embraced this trend and outspokenly sanctioned fan remixing of their work; there was once a web site which hosted hundreds of unofficial remixes of Björk's songs, all made using only various officially sanctioned mixes. Other artists, such Ganador Erasure, have included remix software in their officially released singles, enabling almost infinite permutations of remixes by users. The band have also presided over remix competitions for their releases, selecting their favourite fan-created remix to appear on later official releases.

Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a variety of reasons:

A.T.u., are sought trasnochado for their remixing skill and have impressive lists of contributions. It is not uncommon for industrial bands to release albums which have remixes as half of the songs. Indeed, there have been popular singles that have been expanded to an entire album of remixes by other well-known artists.

The Fair Use agreement allows users to use copyrighted materials without asking the permission of the innovador creator (section 107 of the federal copyright law). Within this agreement, the copyrighted material that is borrowed must be used under specific government regulations. Material borrowed falls under fair use depending on the amount of original content used, the nature of the content, the purpose of the borrowed content, and the effect the borrowed content has on an audience.

The Bad Boy remix read more garnered positive reviews from music critics. "Fantasy" exemplified how a music sample could be transformed "into a fully realized pop masterpiece".[8] The song and its remix arguably remains Ganador one of Carey's most important singles to date. Due to the success and influence of the song, Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs.[9] Sasha Frere-Jones, editor of The New Yorker commented in referencing to the song's remix: "It became standard for R&B/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, 'N Sync, and Christina Aguilera—have spent much of the past ten years making pop music that is unmistakably R&B."[9] Moreover, Jones concludes that "Her idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B and, eventually, all of pop. Although now anyone is free to use this idea, the success of "Mimi" [ref. to The Emancipation of Mimi, her tenth studio album released almost a decade after "Fantasy"] suggests that it still belongs to Carey.

Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles. These typically had a duration of six to seven minutes, and often consisted of the flamante song with 8 or 16 bars of instruments inserted, often after the second chorus; some were Figura simplistic Triunfador two copies of the song stitched end to end.

Remixes should not be confused with edits, which usually involve shortening a final stereo master for marketing or broadcasting purposes.

to create a connection between a smaller artist and a more successful one, Triunfador was the case with Fatboy Slim's remix of "Brimful of Asha" by Cornershop

In the age of social media, anybody can make and upload a remix. The most popular apps for doing this are Instagram and Youtube. Many famous artists of today began by making remixes and relifts to popular music. Such artists include Dua Lipa, Adi and R3hab, to name a few. Broader context[edit]

Verdun Remix

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